中外音乐交流研究
日本“御游”及其与唐乐之关系考
周 汨
摘 要：“御游”是日本古代宫廷朝觐、御贺、御元服、立后、任大臣等仪式中的音乐表演。其内容包含催马乐和唐乐。日本所用“御游”之礼仪与唐代五礼之嘉礼大致相同，在嘉礼中，主要使用雅乐与燕乐，二者都使用了唐之燕乐，但唐代在非祭祀的嘉礼中，重视正统雅乐的使用，而日本则未将代表正统之乐的神乐纳入非祭祀仪式之中。“御游”中的唐乐，也根据仪式的需求进行选择。文章对日本的“御游”与中国唐代嘉礼用乐，进行了比较的研究。
关键词：“御游”；催马乐；唐乐；嘉礼
作者简介：周汨（1988— ），女，土家族，艺术学博士，武汉音乐学院音乐学系讲师，硕士研究生导师（武汉 430060）。
A Study of Japan’s “Yu You” and Its Relationship with Tang Music
Zhou Mi
Abstract： “Yu You” is a kind of musical performances of ancient Japanese court rituals such as pilgrimage， birthday celebration， coming of age ceremony， enthronement， and appointment as a minister. Its content includes Saibara and Tang music， and is passed down through the musician family. The etiquette of “Yu You” is the same as the Tang Dynasty’s Five Rites of Jia Li， which mainly use Refined Music and Yan music. Both used Tang Yan music， but Tang Dynasty still valued the existence of orthodox music in non sacrificial rituals， while Japan did not include sacred music representing orthodox music in non sacrificial rituals. Tang music in “Yu You” is selected according to the needs of the ceremony.
Keywords： “Yu You”； Saibara； Tang music； Jiali
清宫回响：康煕帝与西乐东渐
陈 雪，王安潮
摘 要：康熙年间，西方传教士大量入华，康煕大帝与传教士保持着密切的关系。他热衷于西乐，引入西洋乐器、西洋乐理知识等，为西洋音乐在华传播奠定了基础。文章通过对康煕帝接纳西乐决策的论述，管窥西方传教士通过传教方式，使西洋音乐在清朝产生的具体影响。
关键词：清朝；康煕帝；传教士；西洋音乐；西乐东渐
作者简介：陈雪（1980— ），女，哈尔滨音乐学院音乐学系2020级博士研究生、长春师范大学音乐学院副教授；王安潮（1975— ），男，文学博士，哈尔滨音乐学院外聘博士研究生导师、西安音乐学院教授（哈尔滨 150028）。
Echoes from the Qing Palace: Emperor Kangxi andthe Western Music Spreading to China
Chen Xue， Wang Anchao
Abstract： Kangxi Emperor ruled China for 61 years while the Qing Dynasty in its peak period which a large number of Western missionaries entered， and the Kangxi Emperor maintained a close relationship with them. Because of his passion for Western music， the Kangxi Emperor laid the foundation for the spread of Western music in China， both in terms of the introduction of Western instruments and the dissemination of knowledge of Western music theory. Through the discussion of the Kangxi emperor’s decision to accept western music， the article provides a glimpse of the specific impact of western music in the Qing dynasty through the missionary approach of western missionaries.
Keywords： Qing Dynasty； Kangxi Emperor； missionaries； Western music； Western music spreading to China
上海国立音专钢琴教学之拓荒者
——鲍里斯·查哈罗夫在华音乐活动考
樊右伟，张 清
摘 要：俄罗斯钢琴演奏家、音乐教育家鲍里斯·查哈罗夫是中国近代钢琴教育的先锋人物，也是现代中国钢琴学派的奠基人之一。他在上海国立音专工作的十余年间，为中国钢琴教育事业作出了卓越的贡献。文章考查了鲍里斯·查哈罗夫在中国钢琴音乐教育历程的同时，还对其在华的演出活动进行史料的挖掘与考证，力求呈现出完整、真实的钢琴家在华音乐教育的全貌。
关键词：鲍里斯·查哈罗夫；钢琴教育；音乐活动；上海音专
作者简介：樊右伟（1982— ），男，音乐学博士，哈尔滨音乐学院音乐学系副教授，硕士研究生导师（哈尔滨 150028）；张清（1988— ），女，教育学博士，中国音乐学院在站博士后，中国音乐研究基地研究员、中俄音乐文化研究中心研究员（北京 100101）。
A Pioneer of Piano Teaching at the Shanghai National Academy of Music
——A Survey of Boris Zakharov’s Musical Activities in China
Fan Youwei， Zhang Qing
Abstract： As a pioneer of modern piano education in China and one of the founders of the modern Chinese piano school， Boris Chakharov made outstanding contributions to China’s piano education during his more than ten years working at Shanghai National Academy of Music. By surveying his career on Chinese piano education， exploring and examining historical materials on his performance activities in China， the article strives to present all the pianist’s genuine music education activities in China.
Keywords： Zakharov， Boris Stepanovich （Захаров， Борис Степанович）； piano education； musical activities； Shanghai National Academy of Music
中国近现代音乐史研究
“生活教育”与音乐救亡
——浙江抗战中湘湖师范喈喈歌咏团的音乐活动
李 俊
摘 要：浙江省立湘湖师范学校，由教育家陶行知参与创办，是浙江首所省立乡村师范学校，是其“生活教育”理念在浙江乡村实践的重要代表。抗战时，湘湖师范成立喈喈歌咏团，在浙江乡村开展广泛音乐活动，既践行“生活教育”理念，又有效进行音乐抗战宣传。在音乐乡村教育中，该团积累实践经验、培养大量音乐人才，成为抗战文化活动中极具影响力的团体之一。文章从喈喈歌咏团发展历程、音乐教育及活动等方面，探析湘湖师范“湘湖式”乡村音乐教育路径，如何融合“生活教育”与音乐救亡。
关键词：喈喈歌咏团；“生活教育”；抗战歌咏；湘湖师范学校；浙江
作者简介：李俊（1978— ），男，文学博士，台州学院艺术与设计学院教授，硕士研究生导师，长三角音乐历史与文化研究中心特约研究员（浙江台州 318000）。
“Life-Aimed Education” and National Salvation by Music
——The Musical Activities of the Jiejie Choir of Xianghu Normal College during the War of Resistance in Zhejiang
Li Jun
Abstract： Zhejiang， Xianghu Normal School was co-founded by educationalist Tao Xingzhi as the first provincial rural normal school which was a concernful representative of his practice of “Life-Aimed Education” concept in rural Zhejiang. During the War of Resistance Against Japan， the college organized Jiejie Choir which was pragmatic in music activity at rural by both practicing the concept of “Life-Aimed Education” and a promoting resistance by music. In rural music education area， the choir accumulated experience and cultivated a large number of music talents， becoming one of the most influential communities in cultural activities during the war of resistance. Based on the research on its development process， music education and activities of Xiexie Choir， the article explores the path for rural music education which named XNC-method ［Xianghu Normal College］ and how it worked in the “Life-Aimed Education” and national salvation by music.
Keywords： Jieije Choir； “life education”； War of Resistance songs； Xianghu Normal Colleges； Zhejiang
歌曲《八月桂花遍地开》渊源争议及政治属性考辩
杨 帆，夏滟洲
摘 要：《八月桂花遍地开》（又名《庆祝工农政府》）是一首诞生于鄂豫皖革命根据地并广为流传的革命歌曲，这首歌曲逐渐成为我国红色革命运动的精神符号和革命历史的缩影。然而，在其传播过程中，对于《八月桂花遍地开》的渊源与创编者问题，却众说纷纭。文章对近年来关于创编者争议及歌曲的政治属性进行考辩，试图对歌曲的创编者进行论证。
关键词：革命歌曲；《八月桂花遍地开》；创编者；政治属性
作者简介：杨帆（1993— ），男，哈尔滨音乐学院 2023级在读博士生（合肥 230041）；夏滟洲（1972— ），男，文学博士，浙江音乐学院音乐学研究所教授，哈尔滨音乐学院兼职博士生导师（杭州 310024）。
A Examination and Research The Origin and Political Attributes of the Osmanthus Full Blooms in August
Yang Fan， Xia Yanzhou
Abstract： Osmanthus Full Blooms in August （also known as Celebrating the Government of Workers and Peasants） was a popular revolutionary song that born in Yue-Yu-Wan［Hubei-Henan-Anhui］ revolutionary base and proved as a spiritual symbol of China’s Red Revolution and an epitome of revolutionary history. But as its promulgation， many different opinions about its origin and creator. So based on the examination of the controversy about its creator and political attributes in recent years， the author attempts to proof who are the creators.
Keywords： revolutionary song； Osmanthus Full Blooms in August； creator； political attributes
和毅庵在中国西南的九十载音乐人生
——传记、历史与经验（附中译序）
［美］李海伦（Helen Rees）著，林艺婷 徐 欣译
摘 要：云南省丽江县拥有悠久的洞经音乐传统，和毅庵（1908-1993）是该传统中一位举足轻重的人物，他在不同时期面对各种语境的重重矛盾与复杂境况时，不断平衡与适应，呈现了个体经历与社会历史的错杂交织，凸显出其在地方音乐传统传承与发展中的重要价值。
关键词：和毅庵；洞经音乐；传承；发展
作者简介：李海伦（Helen Rees，1964— ），女，博士，美国加州大学洛杉矶分校民族音乐学系教授、世界音乐中心主任。
译者简介：林艺婷（1998— ），艺术学硕士，广州科技职业技术大学专任教师（广州 510550）；徐欣（1981— ），女，文学博士，上海音乐学院音乐艺术研究院研究员（上海 200031）。
He Yi’an’s Ninety Musical Years： Biography, History, and Experience in Southwest China
Helen Rees， translated by Lin Yiting and Xu Xin
Abstract： As a pivotal figure of long Dongjing music tradition of Lijiang County in Yunnan Province， He Yi’an （1908-1993） balanced and adapted the contradictions and complex situations in various contexts at different times， which presenting a interweaving complex of individual experience and social history. The article highlights his significative value in the inheritance and development of local music traditions.
Keywords： He Yi’an； Dongjing music； inheritance； development
音乐民族学与西方音乐研究
河北易县西路梆子《斩黄袍》剧目来源与唱腔研究
王宇琪
摘 要：河北易县西古县村西路梆子属梆子腔系统。《斩黄袍》是西路梆子具有代表性的传统剧目之一。该剧目多保留晋剧《斩黄袍》的表演套路，其板式名称与河北梆子类似，唱腔却具有浓重的易县方言语音韵味，表演质朴，具有鲜明的乡土气息。透过对该剧目及其板式唱腔、腔词关系的考察，有助于厘清易县西路梆子的音乐特征，并为梆子腔在河北地区的本土化演变提供实证材料。
关键词：西路梆子；《斩黄袍》；板式；腔词关系
作者简介：王宇琪（1978—），女，蒙古族，文学博士，中央音乐学院音乐学系教授，博士研究生导师（北京 100031）。
A Study of the Origin and Singing Style of the Xilu Bangzi Opera Zhan Huangpao
Wang Yuqi
Abstract： Xilu Bangzi （Opera） of Xigu County Village， Yi County， Hebei Province is a kind of Bangzi Qiang， as a representative work Zhan Huangpao ［Slash the Imperial Robe］ absorbs the performance process of the homonymous work in Jin Opera ［Shanxi Opera］. Though the term of Banshi ［accented and unaccented beats］ Xilu Bangzi is similar to the Hebei Bangzi， the singing style has a strong flavor of the Yixian dialect， and action is simple and has a distinctive rural flavor. The survey the Banshi， singing style and its relationship with lyrics in the work will not only benefits to define the music feature of Xilu Bangzi， but also provide empirical evidence for localization and evolution of Bangzi in Hebei.
Keywords： Xilu Bangzi； Slash the Imperial Robe； form； relationship between tune and lyrics
民族音乐学研究中的“女性书写”及意义阐释
谢冰纯，肖志丹
摘 要：女性主义运动第二次浪潮期间，“女性书写”这一概念首次被提出，它保持着开放性，在后续发展中不断丰富自身内涵。女性书写不但讨伐政治权利、社会生活中方方面面的女性失语，也提醒人们关注女性视角下的文化叙述与阐释。前人的研究表明，女性意识与女性经验的介入，为文学、人类学等学科领域带来新的书写方式与研究方向。文章试图在女性主义思潮与民族音乐学学科的“双向互动”中，以“女性”为附加范畴，“书写”为连接点，从多重“文本”中梳理女性主义发展给民族音乐学研究带来的影响，同时探讨民族音乐学中女性书写的性别研究价值。
关键词：民族音乐学；女性主义；女性书写（écriture féminine）；女性视角；性别研究
作者简介：谢冰纯（1995— ），女，湖南师范大学音乐学院2022级民族音乐学方向博士研究生（长沙 410000）；肖志丹（1988— ），男，中国音乐学院中国乐派研究院在站博士后（北京 100020）。
“Feminine Writing” in Ethnomusicological Study and Its Interpretation
Xie Bingchun， Xiao Zhidan
Abstract： During the second feminist movement wave， the concept of “écriture féminine” was first put forward， which maintained its own openness and enriched its connotation in the subsequent development of feminism. Feminine writing not only criticizes political rights and women’s aphasia in all aspects of social life， but also be a reminder of cultural narrative and interpretation from the perspective of women. Studies have shown that the involvement of female consciousness & experience has brought new writing methods and research directions to literature， anthropology and other disciplines. In the “interaction” between feminist thoughts and ethnomusicology， this paper attempts to clarify the influence of feminist development on ethnomusicology research from multiple “text”，with “female” as the additional category and “writing” as the connection， and to explore the gender research value of feminine writing in ethnomusicology.
Key words： feminine writing； feminisim； ethnomusicology； feminist perspective； gender studies
“慢乐章”创作的历史演进探赜
——从巴洛克到贝多芬
薛毛毛
摘 要：文章通过追溯慢乐章的起源，梳理了从巴洛克到贝多芬时期的慢乐章创作的历史发展轨迹。早期欧洲作曲家们对于速度范畴的不断关注，使得慢乐章的地位愈发凸显，成为套曲中具有结构性意义的部分。古典时期的作曲家则更加重视慢乐章在套曲乐章中承担的平衡与调和音乐风格的功能，在调性、结构和内涵维度都做了进一步探索。贝多芬不仅确立了慢乐章的重要地位，更是通过其早、中、晚期的创作，对慢乐章创作的技术语言和表现内涵维度进行了深入挖掘。
关键词：慢乐章；巴洛克；古典时期；贝多芬
作者简介：薛毛毛（1990— ），女，艺术学博士，华南理工大学艺术学院在站博士后（广州 511447）。合作导师：梁军教授。
A Historical Survey of Slow Movement Trajectory from Baroque Period to Beethoven
Xue Maomao
Abstract： Based on the origin-tracing of slow movement， the author sorts out its historical trajectory from Baroque Period to Beethoven. As the early European composer focus on the tempo’s possibility constantly， its status had been more prominent so as to assumed as a structural role in the suite. The classical composers depute it as the function of balance and compromise the style in the suite by attempting on the dimensions of tonality， structure and connotations. Especially， Beethoven not only stabilized its importance， but also prospect its technique language and expressive connotation constantly in his early， middle and late outputs.
Keywords： Slow movement； Baroque； Classical period； Beethoven
第二届“哈音·博学乐凤”博士生论坛专栏（二）
音乐与文学在戏剧符号学视角下的重塑和再现
——以动画短片《坚毅的锡兵》为例
宋小喆
摘 要：文章以迪士尼“幻想曲”系列中的动画短片《坚毅的锡兵》为例，探讨肖斯塔科维奇《第二钢琴协奏曲》（Op. 102）第一乐章与安徒生童话的关系。在叙事结构方面，音乐动机的发展重塑了戏剧情节，达成音乐与戏剧在结构上的匹配；在角色塑造方面，音乐主题的发展刻画了角色形象以及人物关系的变化；在戏剧风格体裁方面，特定的音乐材料展现了“布莱希特式”的间离效果。文章探讨两者作为音乐与文学之间的融合，以及在动画形式上的重塑。
关键词：戏剧符号学；行动素模式；行动者功能；演出符号系统
作者简介：宋小喆（1993— ），女，上海音乐学院音乐学系2021级戏剧理论研究专业博士研究生，上海戏剧学院继续教育学院外聘青年教师（上海 200031）。指导教师：上海音乐学院音乐学系陶辛教授。
An Reinvention and Reinterpretation of The Relationship of Music and Literature upon the Theatre Semiotics Perspective：Taking the Animated Cartoon The Steadfast Tin Soldier as Example
Song Xiaozhe
Abstract： Taking the animated cartoon The Steadfast Tin Soldier of Disney Fantasia series as an example， this article explores the relationship between Shostakovich’s Piano Concerto No. 2 （Op. 102）， Movement I and Hans Christian Andersen’s fairy tale.Considered the narrative structure， the author points out that the development of musical motives reconstructs the dramatic plot， so as to match the structure of music and drama； for the characterization， the musical themes portrays the characters’ image and the changes in their relationships； and for the dramatic style， specific musical material presents the distancing effect of Brechtian. The article explores how the two works fuse music and literature to reinvent the form of animation.
Keywords： theatre semiotics/semiotics of theatre/ theatrical semiotics；Théâtre et Communication；actants functions；les treize systèmes de signes
明清大运河城市音乐文化流通的多维度探究
李雅璇
摘 要：明清时期，京杭大运河贯通南北，成为重要的漕运通道。运河促进不同音乐活动的产生与交流。文章以大运河流通功能为背景，结合漕运与水路的生活、运河城市互动空间、南北交融、商品经济发展，论及运河音乐的符号化过程，以及明清运河曲调的传承与创新，尝试接通历史与当下，呈现大运河音乐文化的历史脉络，并揭示其社会功能与文化意义。
关键词：明清；京杭大运河；城市音乐；流通；传承
作者简介：李雅璇（1998— ），女，中国音乐学院音乐学系2023级博士研究生（北京 100101）。指导教师：康瑞军教授。
A Multi-survey of Interactive Music Cultures of the Cites along theGrand Canal During the Ming and Qing Dynasties
Li Yaxuan
Abstract： The Beijing-Hangzhou Grand Canal was a prominent water transport routeway as it canaled from north to south in Ming and Qing dynasties， as well as facilitated the born of distinct music activities and their exchange. Based on the circulation function of the Grand Canal and considered the contexts of the life of the canal and waterways， the interactive activities of the cities along the canal， the blending of the north and south， and the development of the commodity economy， the author discusses the symbolic process of canal music， the inheritance and innovation of canal tunes in Ming and Qing dynasty， as well as attempts to connect history with the present to reveals the historical context of the music culture of the Grand Canal， and reveals its social functions and cultural significance.
Keywords： Ming and Qing dynasties； Beijing-Hangzhou Grand Canal； urban music； circulation； inheritance
学堂乐歌的先声
——清末湖北地区师范音乐教材《音乐学》研究
傅 潼
摘 要：学堂乐歌在中国近现代音乐史上具有举足轻重的地位，彼时出版的音乐教材起到重要的媒介作用。文章以清末湖北地区官修师范教材——《音乐学》为研究对象，通过对其出版时间、教学内容等方面的深入研究，论证湖北地区实为开中国学堂乐歌教育先河之地，其教材的系统性更早于诸多乐歌教材的编撰。
关键词：学堂乐歌；音乐教材；《音乐学》；湖北师范生；湖北学务处
作者简介：傅潼（1985— ），女，哈尔滨音乐学院音乐学系2023级博士研究生（哈尔滨150028）。指导教师：哈尔滨音乐学院音乐学系李然教授。
A Herald to School Music
——A Study of Late Qing Dynasty Textbook Music Subject for Normal School in Hubei Area
Fu Tong
Abstract： School music plays a pivotal role in the history of modern Chinese music， and the music textbooks published at this time played an important intermediary role. Based on research the publication time and content of the Music Subject， a textbook for the normal school edited by the official， the author testified the Hubei Area was the herald of the school music as its textbook in advanced on the systematic than the many others.
Keywords： school music； music textbooks； Music Subject； Hubei Normal School Student； Hubei Academic Affairs Office
书评与述评
俄耳甫斯音乐译丛中的副文本探赜
朱厚鹏
摘 要：我国现已出版的17部“俄耳甫斯音乐译丛”，包含总序、读本释注、中译本序及译/校后记这四类副文本。其特性远超常规副文本功能，呈现出三大显著特征：立足他者主体，展现群体式译者体系；立足读者视角，凸显书写者（译者）学术思想；立足学科建设，彰显中国本位立场。它是集研究、批判、建构、鉴别与描述于一体的补偿性文本，深挖原著并给予个性化阐释，完善正文本价值，同时重视副文本自身价值与书写者品格。这充分表明，相关翻译活动并非附庸西方，而是推动我国音乐文化事业稳健发展的关键路径。
关键词：俄耳甫斯音乐译丛；副文本；翻译活动；中国本位立场
作者简介：朱厚鹏（1984— ），男，艺术学博士，安徽师范大学音乐学院副教授（安徽芜湖 241002）。
Exploration of the Ancillary Content of Orpheus Music Series
Zhu Houpeng
Abstract： The Orpheus Music Series had published 17 translations that all include ancillary contents， i.e.， general preface， annotations， preface to the Chinese translation and postscript by translators or proofreaders， which far exceed their conventional functions upon the three significant features： 1. Based on the others as subjectivity， the series established a collective system of translator； 2. Based on the perspective of the reader， the series highlighting the academic ideas of the writer （translator）； 3. Based on discipline construction， the series highlighting a Chinese-centric position. So， these are compensatory text that integrates research， criticism， construction， identification and description， which all aimed at interpreted uniquely upon the perusal of the original work， so that to improve the value of the main part as well as emphasize itself value and the significance of the writer. The series fully demonstrates that translation activities are not just follow Western academic research， but are a key path for the promoting of China’s music culture steadily.
Keywords： Orpheus Music Series； ancillary contents translation activities； China-centric position
音乐人类学的突围
——评《作乐：音乐表演与聆听的社会意义》
朱滏荣
摘 要：新西兰音乐学家、动物学家克里斯托弗·斯默（Christopher Small）所著的《作乐：音乐表演与聆听的社会意义》是西方音乐人类学中重要的专著之一。它将音乐艺术不再视为一个具象的事物，而是一种综合性活动，一种人们日常所从事的活动，极大地颠覆了人们对音乐所持的传统观念。文章基于全文内容、结构框架进行较为详尽的评析。
关键词：克里斯托弗·斯默（Christopher Small）；《作乐：音乐表演与聆听的社会意义》；音乐人类学；社会意义
作者简介：朱滏荣（1994— ），男，教育硕士，巨鹿职教学校，讲师（河北邢台 055250）。
A Breakthrough in Musical Anthropology:Review of Musicking, The Meanings of Performing and Listening
Zhu Furong
Abstract： Musicking， The Meanings of Performing and Listening by New Zealand musicologist and zoologist Christopher Small is one of the influential monographs in Western musical anthropology. It no longer treated the art of music as a specific thing， but as a comprehensive activity， an activity that people engage in every day， which greatly subverts the traditional concept. The article provides a detailed analysis and comment on the full content and structure of the book.
Keywords： Christopher Small； Musicking， The Meanings of Performing and Listening； musical anthropology； social meaning
国内乐器学十年研究综述（2013-2023）
王莹莹
摘 要：文章通过梳理2013年至2023年中国知网、万方数据库中文研究成果，以研究范围、研究视角与理论分类，总结特点，论述了国内乐器学近十年（2013-2023）的研究动态和现状，论及乐器志/民族志在乐器学研究中的重要性，阐述与综述我国乐器学研究的当代动向，并达到观往知来的目的。
关键词：音乐学；音乐人类学；乐器学；研究动态；研究综述
作者简介：王莹莹（1997— ），女，艺术学硕士，上海音乐学院出版社社办秘书、图书编辑（上海 200031）。
A Review Chinese Organology Research, 2013-2023
Wang Yingying
Abstract： Sorted out the researches in the CNKI and Wanfang Data from 2013 to 2023， the author discusses the research trends and status of the Chinese Organology based on the research scope & perspectives and theoretical classifications， and further emphasize the importance of the Organology/Ethnography studies in the area. The observation of its contemporary trends achieves the goal of learning from the past to know the future.
Keywords： musicology； ethnomusicology； organology； research trends； research overview
第二届国际室内乐艺术节述评
景作人
摘 要：文章以第二届国际室内乐艺术节的举办为切入点，深入探讨“室内乐意识”建立的必要性，分析室内乐训练在提升音乐能力方面的积极作用。此外，文章以艺术节相关内容为实例，论证室内乐作为一切音乐形式基础的重要地位，表达了对未来专业音乐院校室内乐教学朝着更加深入、全面方向发展的殷切期望。
关键词：管弦系；室内乐艺术节；室内乐意识
作者简介：景作人（1958— ），男，中央歌剧院国家一级演奏家、乐评人（北京 102218）。
A Survey of the 2nd International Chamber Music Festival of Harbin Conservatory of Music
Jing Zuoren
Abstract： Based on the surveying of the 2nd International Chamber Music Festival of Harbin Conservatory of Music ，the author discuss the necessity of establishing “chamber music awareness” and analyze the positive role of chamber music training in enhancing musical ability. In addition， the article takes some works in the festival as an example to demonstrate the importance of chamber music as the foundation of all forms of music， and expresses the earnest expectation that the teaching of chamber music in professional music conservatory in the future will develop in a more in-depth and comprehensive direction.
Keywords： Harbin Conservatory of Music； Chamber Music Festival； Chamber Music Awareness
